The Godfather-1972
Directed by Francis Ford Coppola
America loves a bad guy. While that may be evident today, it wasn’t always necessarily true. One movie contributed to anti-hero adoration unlike any other: The Godfather. To see this film is to love it. It took the American “Goomba” and added depth, character, and integrity to a lifestyle commonly associated with highly questionable morality. If you don’t absolutely adore this photodrama, then maybe you should “Sleep with the fishes”.
Francis Ford Coppola’s name
today is associated with quality film making and artistic storytelling. That
wasn’t always so, but The Godfather
made believers of the faithless. This was the first in a series
of hit films in his portfolio. Nominated
for a whopping 11 academy awards, a feat rarely mimicked, it commanded
attention from critics and fans alike. It went on to win 3 of those academy
awards for Best Picture, Best Actor for the work of Marlon Brando, and Best
Adapted Screenplay. Looking at the cast today, it was a star studded
affair. With names like Brando, Caan,
Pacino, Duvall (a personal favorite), Keaton, and Shire it’s a who’s who of
classic film greatness.
Business |
These men are murderers,
racketeers, and intimidation artists; but we absolutely love them. We view the
world from their perspective, almost believing for ourselves that they commit
“victimless” crimes. By revealing a lighter side to these typically dark men
Godfather humanized the mob, allowing us to see some of ourselves in them. By
making the opposing crime families ruthless and lacking any code of honor we
view the Corleones as men of integrity, sympathizing with their actions.
Look at some of the classic
films in attempt to compare that style of violence to what you see in Coppola’s
epic and what do you get? Two incredibly different degrees of what a violent
act is. In traditional films, say the early westerns, a man can be shot, with
absolutely no blood. His reaction: to place a hand over the wound and keel over
almost telegraphing the pain. Now look
at the classic scene with Michael (Al Pacino) taking his revenge on a corrupt
Police officer and the man behind his father's assassination. The result is a
bloody shot to the neck, followed by another directly to the skull, ensuring a
man’s demise. Gory depictions of death (23 in total) can be seen, but it is
also truer to life. if we decide to be honest with ourselves then we can admit the violence also appeals to our baser instincts, we may
cringe, but our eyes are glued to the screen.
With all the crime and murder what ties us emotionally to these people is “family” in every sense of the word. They are fathers, sons, cousins and lovers. We see them amidst all the traditions life has to offer. The wedding of Vito’s only daughter, the Baptism of Michael’s nephew, and countless scenes filled with them sitting together over a meal together. They may not be perfect, but they are more like us then some care to admit. We witness their story unfold from within, making viewers a member of this unconventional yet compelling family.
The Corleones-a beautiful family |
With all the crime and murder what ties us emotionally to these people is “family” in every sense of the word. They are fathers, sons, cousins and lovers. We see them amidst all the traditions life has to offer. The wedding of Vito’s only daughter, the Baptism of Michael’s nephew, and countless scenes filled with them sitting together over a meal together. They may not be perfect, but they are more like us then some care to admit. We witness their story unfold from within, making viewers a member of this unconventional yet compelling family.
Article: The Godfather
By Paul TataraLink- http://www.tcm.com/this-month/article/140791%7C0/The-Godfather.html
Paul Tatara’s article
basically summarizes all the turmoil that plagued the film. The thing about
movies, even these timeless classics, is that you can’t guarantee success. You
can never fully know what you have in your hands. The process is daunting, full
of complexities, and time consuming. The Godfather is one of those films with a
huge amount of hype, and it lives up to it. There will always be reasons not to
see a goal through the end, but you only need one good reason to accomplish it.
One anecdote in particular encompasses the doubt that filled this movie. Coppola had heard of rumors that paramount intended to replace him. On one bad day he made a trip to the restroom. While conducting “business” on the stall two crew members entered. While washing their hands they vented about his incompetence. Embarrassed, Coppola lifted his legs up in fear that the men may recognize his shoes. That is what crew members thought of Coppola’s work.
Coppola on set |
One anecdote in particular encompasses the doubt that filled this movie. Coppola had heard of rumors that paramount intended to replace him. On one bad day he made a trip to the restroom. While conducting “business” on the stall two crew members entered. While washing their hands they vented about his incompetence. Embarrassed, Coppola lifted his legs up in fear that the men may recognize his shoes. That is what crew members thought of Coppola’s work.
Coppola himself was doubtful
of the film. He was reluctant to accept the job only doing so to work off a
$300,000 debt to Warner Bros. after his production company’s most recent
failure. “That was fine with Paramount - several name directors had already turned
them down, and they basically approached Coppola because they knew he was
Italian. After all, somebody had to direct it,” (Tatara). He finally changed his mind when he saw the
film in a new light; as a family drama and examination of the American corporate
structure.
It’s hard to picture anyone
other than Brando or Pacino playing the father and son Godfathers. Surprisingly,
casting these two roles was Coppola’s biggest struggle. Brando was known for
being the monkey wrench in his own films. His utter lack of professionalism was
well known. Producers were openly against his casting. They finally gave way to
Coppola on the condition that Brando receives a portion of the profits and no
direct salary, followed by a humbling screen test. Coppola obliged and made his
way to Brando’s home where the test began, never actually using the words “Screen
Test” to describe the exercise. Brando’s transformation was remarkable and won
him the role. Pacino was considered “too Italian” for a member of the family
that should be americanized. One producer was said to referred to Pacino as
“runty”. There were many who held their reservations, but no one else could
have filled these shoes. He manages to balance the innocence of the character early on with the ruthlessness and ability to command we witness by the time that office door closes upon Kate.
3) Apply the article to the film screened in class
With nearly every film I’ve
come to witness this semester the behind-the-scenes revelations have surprised
me. Years ago I was first introduced to Brando through this film, and was
surprised to see that he was considered a ladies man in his hey-day. Most
shocking is that this world famous actor could be such an abysmal person to
work with. This amazing actor behind such amazing films like On the Waterfront and A Street Car Named Desire was a
difficult man to work with. Eccentric doesn’t begin to describe him, yet his
performance was phenomenal. It hard for us to see someone on-screen and picture
their actual personality off of it, but that may be a very good thing. Brando’s
performance was outstanding regardless of his on-set antics (he was said to have
enjoyed mooning the crew on several occasions). When you think of the Godfather
you can’t help but picture Vito with that puffy jaw line and unique cadence.
Brando as Vito |
It also surprises me to know
that Coppola was so averse to signing on for this film. From the cast to the
crew, the doubt that loomed over the making of Godfather is almost unbelievable. One
story tells that upon viewing the dailies one producer joked “it’s too dark,
but other than that it’s magnificent”. Yet critics praise the opening scene.
There is a contrast from the dimly lit office of the don conducting his “dark”
business and the brightly lit outdoor wedding full of life and vigor. It is
beautifully done; this provides an inspiring thought. Sometimes it is best to
deny the naysayers and continue on your desired path.
Godfather has come under the
gun for romanticizing gangsters. The real mob isn’t as strict to abide by any
code. That may be true, but that’s the beauty of film. It allows us to see
viewpoints and worlds we know nothing of from a new light. That is what the
Godfather does so well. Most would consider the “mafia” (a word rarely said in
the film) as nothing more than an amoral crime syndicate. That is not how most
people view themselves. Rarely does a criminal consider himself to be the villain
but just misunderstood.
The film pays just as much
attention to their everyday life as it does their criminal activity; from their
violent tendencies to their loving sides. They kiss their mother on the cheek,
respect their father regardless of age or position, and we witness a tender moment between Grandfather and Granchild. The
first time I saw the Godfather I was roughly 12 years old. I had always heard
so many things about this movie and wanted to understand what all the praise
was about. Even at that young age I was blown away. Did I focus on how dated
the film was, or lack of high definition? No, I was amazed with these people and the
lives they lived. Most us tend to have core values or a fear of authority that
prevents us from conducting our lives like a Corleone. What the film does so
well is allow us to live vicariously through the atypical yet relatable domestic
unit.
One of my favorite aspects is
Michael’s transformation. He is an honest war hero turned mafia don, the
successor to the throne. prior to this dark metamorphasis he tells Kate “That’s my family, that’s not
me”. I can’t say clearly if this powerful character turn was inevitable. Did Michael always have the Mafioso in him or did his father’s attempted murder
act as the catalyst to his moral 180? Just as audiences came to understand
these men and what drives their decisions... so did Michael. He lost his brother and his wife Appolonia, maybe assuming the position of the head of the family was in a way, his manner of taking control of the world he lives in. A world thrust into chaos. The Mantle of the Godfather wasn't merely granted, he takes the reigns and never looks back.
The new King |
The Godfather is a standout
film from start to finish; with every viewing you gain a greater respect for
the film. I think if comes as no surprise that this film with its themes of crime,
family, and capitalism is hands down my favorite film this semester. I think
most would agree. Even in 2013 the Godfather is not be missed, take a chance
and become a Corleone for 3 hours.